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Captions

Captions

Memorial for the old jewish cemetery near the Lüdinghauser Straße and the Lüdinghausen Gate in Dülmen, North Rhine-Westphalia, Germany (2011)

Summary

[edit]
Description
Deutsch: Gedenkstein, der an den alten jüdischen Friedhof erinnert, an der Lüdinghauser Straße (Höhe Lüdinghauser Tor) in Dülmen, Nordrhein-Westfalen, Deutschland
Die Stelen stammen vom Bildhauer Klaus Unger (1990), der Findling mit der Bronzeplatte wurde 1979 aufgestellt.
English: Memorial for the old jewish cemetery near the Lüdinghauser Straße and the Lüdinghausen Gate in Dülmen, North Rhine-Westphalia, Germany
In Dülmen, the old Jewish cemetery was located at Lüdinghausen Gate – a burial site that had been used by Jewish community members since the early 17th century and existed until 1937. The dead of the Jewish community were buried there before a new cemetery was later established on Kapellenweg.
In 1937, under pressure from the National Socialists and against the will of the Jewish community, the old cemetery was closed and the land sold. The gravestones of those buried there were moved to the then newer Jewish cemetery on Kapellenweg, but no exhumations took place within the tight deadline.
After the cemetery was leveled, the vacated area was given the name Hindenburgplatz, named after the former Reich President Paul von Hindenburg. This square was created directly on the site of the former burial ground. Parts of the graves that had not yet been removed were covered; the local NSDAP used a swastika flower bed to plant the square, which symbolically represented the desecration of a sacred place.
After the end of World War II, the name Hindenburgplatz was no longer officially used. The former cemetery area was later built over or used as green space, and it was not until decades later that people began to remember its former use and the Jewish community.
Today, a memorial at the site of the old cemetery, the former Jewish cemetery outside the Lüdinghausen Gate gate, commemorates the Jewish citizens of Dülmen and their history.
Français : Pierre commémorative à la Lüdinghauser Straße (à hauteur de la Lüdinghauser Tor) à Dülmen, qui rappelle l’ancien cimetière juif
Italiano: Lapide sulla Lüdinghauser Straße (presso la Lüdinghauser Tor) a Dülmen, in ricordo dell’antico cimitero ebraico
Nederlands: Gedenksteen in de Lüdinghauser Straße (bij de Lüdinghauser Tor) in Dülmen, ter herinnering aan de oude Joodse begraafplaats
Polski: Kamień pamiątkowy na Lüdinghauser Straße (przy Lüdinghauser Tor) w Dülmen, upamiętniający stary cmentarz żydowski
Sculpture:
German:
Gedenkstein zur Erinnerung an den jüdischen Friedhof

Memorial stone to commemorate the Jewish cemetery
title QS:P1476,de:"Gedenkstein zur Erinnerung an den jüdischen Friedhof"
label QS:Lde,"Gedenkstein zur Erinnerung an den jüdischen Friedhof"
label QS:Len,"Memorial stone to commemorate the Jewish cemetery"
 
Title
German:
Gedenkstein zur Erinnerung an den jüdischen Friedhof

Memorial stone to commemorate the Jewish cemetery
title QS:P1476,de:"Gedenkstein zur Erinnerung an den jüdischen Friedhof"
label QS:Lde,"Gedenkstein zur Erinnerung an den jüdischen Friedhof"
label QS:Len,"Memorial stone to commemorate the Jewish cemetery"
Artist Unknown artistUnknown artist
Date 1979
Sculpture:
German:
Stelen

Steles
title QS:P1476,de:"Stelen"
label QS:Lde,"Stelen"
label QS:Len,"Steles"
 
Title
German:
Stelen

Steles
title QS:P1476,de:"Stelen"
label QS:Lde,"Stelen"
label QS:Len,"Steles"
Artist Klaus Unger
Date 1990
This image shows a heritage building in Germany, located in the North Rhine-Westphalian city Dülmen (no. 22, Former Jewish Cemetery (Dülmen)). Baudenkmal in Nordrhein-Westfalen (zu den Denkmallisten)
Address
InfoField
Alter Jüdischer Friedhof
Lüdinghauser Straße 32-38
48249 Dülmen, North Rhine-Westphalia
Germany
Location
InfoField
Germany Lüdinghauser Straße ◁ Dülmen-Mitte ◁ Dülmen ◁ Coesfeld ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe
Depicts
InfoField
memorial stone and Former Jewish Cemetery (Dülmen)
Inscription
InfoField
Stele (left):
GEDENKE EWIGER, WAS AN UNS GESCHAH // Namensliste
Memorial stone:
DER ORT, AUF DEM DU STEHST, IST HEILIGER BODEN. // EX. 3.5 // BIS 1937 BEFAND SICH HIER DER ALTE JÜDISCHE FRIEDHOF. // GEDENKEN DER JÜDISCHEN MITBÜRGER, DIE IN DER ZEIT DER NS-GEWALTHERRSCHAFT IN DEN KONZENTRATIONSLAGERN UMGEKOMMEN SIND, UND IHRER SYNAGOGE AN DER MÜNSTERSTRASSE, DIE AM 9. NOVEMBER 1938 DURCH FREVLERHAND ZERSTÖRT WURDE. // STADT DÜLMEN
Stele (right):
Namensliste (und Eintrag in hebräischer Schrift)
Technical Specifications
InfoField
35 mm, f/5.6, 1/80 s, ISO 100
CameraCanon EOS 600D
Camera lensEF-S18-135mm f/3.5-5.6 IS
Focal length35 mm
Exposure time1/80 s
Diaphragmf/5.6
ISO speedISO 100
Image data
InfoField
14.3 Mpx, 3350 × 4256 px 
Image resolution14.3 Mpx
Width × Height3350 × 4256 px
Paper size
Dots per inch:300 dpi240 dpi150 dpi72 dpi50 dpi
Size:284×360 mm355×450 mm567×721 mm1182×1501 mm1702×2162 mm
Distance:20 cm30 cm50 cm150 cm300 cm
File formatJPEG File Interchange Format
Bit depth8 Bit
File size12.8 MiB
Aspect ratio≈7:9
Color spacesRGB
AssessmentsQuality imagesValued images
Date Taken on 26 August 2011, 15:22
Source Self-photographed
Author
Dietmar Rabich (1962–)  wikidata:Q34788025
 
Dietmar Rabich
Description German mathematician, amateur photographer, Wikipedian, Wikimedian, teacher and free-license photographer
Date of birth 1962 Edit this at Wikidata
Location of birth North Rhine-Westphalia Edit this at Wikidata
Work period 1975 Edit this at Wikidata–
Work location
Münsterland; Münster; Dülmen Edit this at Wikidata
Authority file
creator QS:P170,Q34788025
User page of the creator
Talk page of the creator
Permission
(Reusing this file)
Dieser Text und viele andere auch sind ebenso in deutscher Sprache verfügbar. Um diese sehen zu können, wähle bitte auf dieser Webseite die Spracheinstellung „Deutsch“.
I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
Generate License Attribution 
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the license applies solely for the reuse of the photograph itself. The license doesn't grant you any right regarding the depicted object (eg, copyright or proprietary rights) or the personality rights of the person eventually shown. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
Attribution
(required by the license)
InfoField
Dietmar Rabich / Wikimedia Commons / “Dülmen, Alter Jüdischer Friedhof, Gedenkstein -- 2011 -- 1901” / CC BY-SA 4.0
For print products: Dietmar Rabich / https://commons.wikimedia.org/wiki/File:D%C3%BClmen,_Alter_J%C3%BCdischer_Friedhof,_Gedenkstein_--_2011_--_1901.jpg / https://creativecommons.org/licenses/by-sa/4.0/
Keywords
InfoField
Alter Jüdischer Friedhof, Cemetery, Deutschland, Dülmen, Friedhof, Gedenkstein, Germany, Jewish cemetery, Lüdinghausen, Lüdinghauser Straße, Lüdinghauser Tor, Memorial, Nordrhein-Westfalen, North Rhine-Westphalia, Straße, Westfalen, …
Architecture, Architektur, Architekturelement, Außerhalb der Ringe, Bauwerk, Begräbnisplatz, Bestattungsplatz, Bildhauerkunst, Daseinsvorsorge, Denkmal, Dülmen-Mitte, Ehrenmal, Fotografie von Kunstwerken, Gedenkstätte, Gotteshaus, Herbst, Infrastruktur, Inschrift, Judentum, Kreis Coesfeld, Kultur, Kulturdenkmal, Kunst, Kunstwerk, Landscape, Landschaft, Möbel, Monument, Münsterland, Natur, Object, Objekt, Person, Qualitätsbild, Quality image, Religion, Religiöses Gebäude, Religious building, Road, Sacral Photography, Sakralbau, Sakralbauwerk, Sakralfotografie, Schild, Sculpture, Sign, Skulptur, Skulpturen und Denkmale, Stadt, Stadtmöbel, Straßenmöbel, Straßen und Wege, Street, Valued image, Verkehr, Wertvolles Bild, World War II, 1979, 1990, 2011
Object location51° 49′ 42″ N, 7° 16′ 49.65″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo
Camera location51° 49′ 42.05″ N, 7° 16′ 49.62″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

Assessment

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Quality image

This image has been assessed using the Quality image guidelines and is considered a Quality image.

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VI seal
Valued image

This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Memorial of the old Jewish Cemetery in Dülmen, Germany (front view). You can see its nomination here.

Licensing

[edit]
Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license:
w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
Attribution:
Dietmar Rabich
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.

Notes

For users of the photo

This image is not in the public domain. Copyright protection applies.

The rules of the listed free license apply, no more and no less. Please respect the copyright protection.

Especially with social media you have to pay attention to the terms of use. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.

The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.

Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.

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  • If you make changes to the image and want to make the modified image available to others here, upload the result under a new name and credit yourself as the editor — even for very minor changes. The templates Derivative and Extract are also available for this purpose. In addition, the user should make minor corrections only to the source file they have on hand. The source is — as a rule — a RAW file. Editing a JPEG file always results in an undesirable loss of quality.
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The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.

Links …

For photographers

How do you take a photo like this?
To give you a little insight into how a photo like this was created, here are a few basic tips and tricks specifically related to this photo.
Basics

First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.

If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.

There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.

You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.

Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.
Tips & Tricks
Nothing in the background should distract from the main subject. The viewer’s gaze should automatically fall on your subject and not on distracting details behind it. If your gaze “wanders” around the photo, the background is probably too busy. When taking the photo, move slightly to the left or right. Often, distracting elements will disappear immediately. Or open the aperture slightly to blur the background. Or change the perspective by moving lower or higher.
▷ See also category: Backgrounds.
The saying “less is more” means showing only what is really important in photography. A good photo does not need many elements. It needs a clear main subject, so decide on a main subject. Instead of showing a lot of the surroundings, get closer to the detail or choose a narrower frame.
Photo finishing is perhaps an underestimated topic. Presentation on social media, for example, does not usually do justice to a good photo. Photos are also much too small on output devices. A good photo has a completely different effect as a large image. A picture on the wall with an accentuating frame can make a striking impression. A photo book allows you to compile photos by theme, for example, photos from a trip or a photo yearbook with the best photos of the year. A calendar can be a wonderful gift.
Photography, psychology, and psychotherapy are closely linked because images have a direct effect on our emotional experience. The brain processes visual impressions faster than words. Even before we consciously interpret a photo, it activates the limbic system — our center for emotions.
Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Postface
Photography is more than just technique — it’s your way of seeing the world.

Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.

The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.

You don’t need the most expensive equipment. You need your eye. Ask yourself:

  • What do I overlook every day?
  • How does this moment feel?
  • What happens when I get closer — or further away?

Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.

Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.

Your camera is not a tool for perfection.
It is a tool for expression.

Photographs
You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph.
Maxims

Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:

  • I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
  • Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
  • The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
  • Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
  • The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
  • The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
  • The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
  • The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.

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Date/TimeThumbnailDimensionsUserComment
current17:27, 30 November 2016Thumbnail for version as of 17:27, 30 November 20163,350 × 4,256 (12.81 MB)XRay (talk | contribs)resolution
12:02, 8 November 2013Thumbnail for version as of 12:02, 8 November 20131,968 × 2,500 (5.48 MB)XRay (talk | contribs)new crop, colors, resolution
01:11, 17 December 2012Thumbnail for version as of 01:11, 17 December 2012600 × 900 (259 KB)File Upload Bot (Magnus Manske) (talk | contribs)Transfered from de.wikipedia by User:Boteas using CommonsHelper

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